On Tuesday, February 27 at 8:00 p.m. EST. Troutbitten LIVE Podcasts begin on YouTube.
Join us live. Help us out, and be part of the conversation through the live chat box. Or just kick back and see where the discussion goes.
On Tuesday, February 27 at 8:00 p.m. EST. Troutbitten LIVE Podcasts begin on YouTube.
Join us live. Help us out, and be part of the conversation through the live chat box. Or just kick back and see where the discussion goes.
Quite simply, the Super Pause is a lack of animation to the streamer for a long time. But that pause usually follows some kind of movement. Last fall, on our podcast about streamers, Bill surprised all of us by saying he often didn’t move the fly for five seconds. That seemed like a long time to all of us. I remember saying that I didn’t know if I had that much patience with a streamer. Dell did, and I didn’t. But I do now.
As Bill told me the other day, getting big hits and bigger fish at the end of the line can make you pretty patient.
Good point . . .
One rod length over and two rod lengths up. That’s the Golden Ratio. That’s the baseline, and it’s where trust in our drift begins. There are surely moments and situations that call for something different. But a good tight line style starts here, within the Golden Ratio of nymphing . . .
This episode is about tension and slack. It’s about how we manage fly lines and leaders on the water while nymphing. My friend, Austin Dando, joins me to walk through the tight line advantage of keeping line off the water and what happens when we give that up. Fishing greater distances often requires laying line on the water, and how we manage that line, how we plan for it, makes all the difference between a great drift and a poor one . . .
Nobody home means there’s no trout in the slot you were fishing. And sometimes that’s true. Nobody hungry suggests that a trout might be in the slot but he either isn’t eating, isn’t buying what you’re selling, or he doesn’t like the way you are selling it.
Does it matter? It sure does!
The performance between Hi-Vis monofilaments varies widely. Here are the properties I want most, and here are my favorite lines.
There are many options for hi-vis mono, but my preferences are specific. And for so long, I couldn’t find anything that checked all the boxes . . . until now.
After months of work and preparation, I’m pleased to announce the launch of Troutbitten One-On-One Virtual Skills Sessions. This latest arm of the Troutbitten Project allows for greater connection with more anglers, readers, listeners and viewers than ever before.
These one-on-one skills sessions are held in our Troutbitten online studio, where we record the Troutbitten Podcast. Conversations are tailored to fit your interests, your questions and curiosities. These sessions are recorded (for your use only), and afterward, you’ll receive a video of our meeting, along with notes and links to more Troutbitten resources to help you keep learning.
Once you leave the water’s surface, weight is necessary for the presentation. Here’s what weights to choose, for nymphing, why and when. You can’t avoid it. Weight is the fundamental factor. Meaning, it’s probably more important than the fly itself. More weight or less is more consequential than what dubbing, feather or ribbing is wound around the hook shank.
We use all types of weight, and there are good reasons for all of these: tungsten beads, split shot and drop shot . . .
A few weeks ago, the Troutbitten Podcast crossed the 1 Million downloads milestone. Spencer Durrant, the news editor for Midcurrent and host of the Unhooked Podcast, got in touch to ask if I’d answer a few questions for the occasion.
The Midcurrent publication is part of the glue that binds this industry together, so I was happy to oblige. Answering these questions also got me thinking about where this Troutbitten Project has been and where it’s going.
So as Troutbitten enters the year of its tenth anniversary, here’s a look into one of our favorite branches of this Troutbitten media company and how it became so important to the Troutbitten community . . .
I use euro nymphing often, but won’t be limited to it. And I don’t like the term because of the limitations associated with it.
That said, I don’t think we can change it. Just like the rest of language, we are stuck within a framework for communicating that precedes us. We can only do our best to define and work through this system accurately . . .
This episode features what might be the most important concept of nymph fishing. There are three different ways to present a dead drifted nymph to the trout — three ways to imitate what trout commonly see from the naturals.