Fishing is a story . . . On one of the last mornings of summer, I found good action with a Crossover technique, combing the advantages of both streamers and nymphs on a tight line, Mono Rig system. This style was a perfect match for trout that were eager enough, but not in all water types. I covered many different sections and enjoyed fishing some of my favorite wild trout water — big woods and a big river.
Find feeding fish. Find the fishy water. These are the keys to putting trout in the net. But as the seasons change, so do the habits of trout. This film focuses on the shift between summer to fall.
Consistency on the water, day to day, requires an awareness of the shifts that take place, season to season.
Meeting trout in these times of transition takes some forethought and willingness to adapt . . .
This third installment of the Fish and Film series highlights the technical aspects of good, adaptive nymphing. It’s a look at a full morning of fishing riffles, runs and flats, while making the necessary and natural changes to find fish.
There are many adjustments along the way. And I comfortably switch between pure tight line tactics and tight line to the indicator style, along with weight adjustments, using both beadhead flies and additional split shot . . .
The Lagging Curve is a beautiful way to provide slack to a dry fly, and it’s my favorite way to get perfect dead drifts to a dry fly in rivers. I fish a lagging curve at just about any angle, using both a forehand and backhand cast, and it provides slack to a dry fly for days.
The lagging curve is really the opposite of what most people mean by a curve cast. This is an underpowered curve and not a power curve.
The leader design matters a lot, and so does the casting stroke. I cover it all in the video . . .
Fishing is a story . . . On a summer morning of fishing, I fish terrestrials in two different ways — first as a dry fly and then as a nymph.
The concepts of terrestrial fishing are largely centered around the dry fly. And I show that in the first half of this video. Target the edges and fish some of the middle stuff along the way. But the terrestrial fishing mindset — the concepts and strategies — are effectively taken over to a nymphing rig as well, often producing more and larger trout.
Fishing is a story . . . On a cool morning in August, I visited a favorite stretch of Class A water, with no plan but to see what the trout wanted to eat. In a few hours of fishing for wild trout, I fooled fish with nymphs, dry flies and streamers. This versatile approach is not only enjoyable, it’s often necessary. Because meeting trout on their own terms is the only way to make the most of a river. Cover water. Find feeding fish. Test theories . . . every day.
The Troutbitten Fish and Film series is here. Fishing is a story. It’s the woods and the water. It’s the trout, and the rivers that draw us streamside. And at its best, good fishing is a mystery to be solved with observation, theory and technique.
The new Fish & Film series from Troutbitten aims to tell that story.
This video breaks down all of the important things about hook set direction, hook set distance and hook set timing.
Setting the hooks is the most exciting part of the day. For all the time we spend planning, prepping, wading, tying, casting and drifting, it’s all in anticipation of that brief moment when a trout eats the fly. You fooled a trout. So, don’t screw it up. That’s why the hook set matters most. And planning for the hookset, thinking about how a trout might eat the fly and how we will respond, makes all the difference.
For over a decade, my Troutbitten friends and I have fished a small yarn indicator that weighs nothing, is extremely sensitive, versatile, cheap, doesn’t affect the cast, and flat out catches more trout than any other indicator we’ve ever used. What we call “the Dorsey” is a daily-use tool that is integral to our nymphing system. We mount it on a tight line rig or a traditional leader with fly line. It floats like crazy. It signals takes and information about the drift like no other indy we’ve ever used, and it’s an unstoppable fish catcher.
One rod length over and two rod lengths up. That’s the Golden Ratio. That’s the baseline, and it’s where trust in our drift begins. There are surely moments and situations that call for something different. But a good tight line style starts here, within the Golden Ratio of nymphing . . .
How can we keep our stuff with us, make it easily accessible and not be slowed down or fatigued by extra weight? Answer: Carry the heavy things on your hips.
Most anglers focus on whether to choose a chest pack, vest, sling pack, hip pack, lanyard or something else. We think of carrying fly boxes, tippet, leaders and other incidentals. But what about the net? What about water, a wading staff, a camera or anything else with extra weight? Carrying these items should not be a secondary consideration. As the heaviest things among your gear, how you carry them is of primary importance.
The heavy stuff is best carried on your hips, so the most critical part of your carrying system is probably the wading belt. And most wading belts are not up to the task.